Reception Stages
The one thing every guest looks at all evening, and the one thing that has to survive being photographed from forty feet away.
A reception stage is a sightline problem before it is a decorating problem. Guests at the back see a shape and a colour field; guests in the queue see the detail. A stage that only works at one of those distances is a stage that disappoints half the room.
So we build in layers. A strong overall form, a middle register that holds up in photographs, and detail close to the couple where people actually stand. The seating, the floor and the backdrop are treated as one composition rather than three purchases.
These are fabricated in our own workshop, which means a sculpted crescent, a tiered arch or a full floral wall is a decision about the room rather than about what happens to be available for hire that weekend.
Tell us about the wedding
The date, the venue, roughly how many guests, and the feeling you want in the room. We will come back with an approach that covers the decor and everything holding it up.
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Mandap Decoration
The structure the ceremony happens under, built and dressed by the same people, so the shape and the flowers are designed together rather than negotiated on the day.
Floral Design & Installations
Flowers used as a building material rather than as a garnish: walls, arches, columns and suspended forms that hold their shape for a whole evening.
Ceiling & Lighting Installations
The half of the room nobody books and everybody photographs: what happens above head height, and what it is lit with.
Entrances & Guest Walkways
The first ninety seconds. What a guest walks through between the car and the function, which sets what they expect from everything after it.
Sangeet & Social Celebrations
The functions either side of the wedding, where the brief is usually colour, comfort and somewhere to actually sit.